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The role of Vijay was initially offered to Dilip Kumar which he declined owing to the impact of doing intense films on his health. Later, in an interview, he also said that he found the character of Vijay in Pyaasa similar to that of Devdas and admitted Pyaasa was one of three movies he regretted turning down. Guru Dutt, later accepted the role himself and the film went on to become one of the most commercially successful movies of the year.[4][5] Pyaasa is a classic and is considered one of the best films of Indian cinema.[6] It was remade into the Telugu film Mallepoovu (1978).[7]
Dutt wanted Dilip Kumar to play the leading role in the movie, which the 'tragedy king' declined. One major reason that is cited for the decline is the impact of doing intense films on Dilip Kumar's health. Reportedly, the doctors had advised him to take up lighter roles for sometime. Another possible reason that is cited is the alleged disagreement between him and Dutt over the film's distribution rights. Thus, Dutt himself played the role and movie went on to become one of the most commercially successful movies of the year.[17][5][4]
After a slow opening, Pyaasa went on to be a major commercial success of the year. This gave Guru Dutt the confidence to make a repeat on a grand scale. However, Kaagaz Ke Phool went on to be a commercial disaster. The movie picked up a cult following the world over in the 1980s, long after Guru Dutt died.[13][19]
The movie boasts one of the best performances of S.D. Burman, Sahir Ludhianvi, Geeta Dutt and Mohammed Rafi to produce one of the most lyrical Hindi musicals.[according to whom?] Sahir's work in the film's music was particularly praised; As stated in The Hindu, "While for Pyaasa, a film considered the brainchild of Guru Dutt, the soul behind the film was its lyricist Sahir Ludhianvi".[20] Pyaasa marked the last collaboration of the long-lasting team of composer Burman and lyricist Ludhianvi.[21]
The popular song "Hum Aapki Aankhon Mein" was added to the movie on behest of distributors to bring some relief in rather pessimistic film. It was never planned in the original cut.[13][22][23] The song "Sar Jo Tera Chakraye", actually composed by R.D. Burman, S. D. Burman's son was originally inspired from a tune from the British film Harry Black, which was later released in India as Harry Black and The Tiger. He later recreated it so well that when the producer of Harry Black and the Tiger visited India, he heard the song and not only failed to recognise the tune, but applauded him on it.[13]
Guru Dutt and his later movies, including Pyaasa, have a large cult following, particularly in France, Germany, South Asia and parts of East Asia (Japan, Singapore, etc). It was a huge commercial success during its 1984 French Premiere, something Guru Dutt never witnessed during his lifetime. Since then, the movie has been screened to huge mass appeal the world over, like the recent screening at 72nd Venice International Film Festival held in Italy, in September 2015.[25]
With the commercial success of noirs: Baazi (Navketan Films), Jaal (Navketan Films), Aar Paar; thriller: CID (produced by Dutt), as well as comedy: Mr. & Mrs. '55, Guru Dutt and his studio were financially secure and established. From 1957, he could now make movies he really wanted to make, including Pyaasa.[43]
On the occasion of Valentine's Day 2011, Time declared it as one of the "Top 10 Romantic Movies".[47] It was listed in Taste of Cinema's "Top 30 Best Romantic Movies of All Time" list in 2016.[48] It is frequently voted in Time Reader's Choice Top 10 movies.[49]
In 2013, to celebrate the centenary year of Indian cinema by selecting one essential Indian film from each decade, The Guardian named Pyaasa as the 'Quintessential Indian Classic of 1950s' decade citing, "The 1950s is the hardest decade from which to pick a film. Guru Dutt's melodramatic Pyaasa or 'The desirous one' is 'extraordinary', a film that draws on all the features of a mainstream movie to achieve a high aesthetic, from the beautiful photography of the Christ-like tormented poet, the beauty of the streetgirl (Waheeda Rehman) and the wonderful music with some of the great Sahir Ludhianvi's best lyrics."[58] In 2019, the British Film Institute named it the 'Greatest Musical of 1957', stating, "Until his tragic overdose in 1964, its director-producer-star Guru Dutt was one of Indian cinema's boldest talents and Pyaasa is his masterpiece."[59] It was also part of BFI Screen Guides' 100 Film Musical book.[60]
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